Silhouette celebrates Japan's surrender the old fashioned way.
Zack Snyder’s feature film debut, Dawn of the Dead (2004), had a kinetic, visually exciting opening sequence, but the rest of the film was fairly pointless. His second film, 300, was all flash and no substance, and, frankly, I found it a bit boring. And now, he’s tasked with bringing the Tristram Shandy of comic books, Alan Moore’s Watchmen (1986-7), to the silver screen. So, a comic book by a wizard, adapted by Solid Snake, and directed by a man who made his name with a zombie film remake. If that isn’t the definition of the post-modern condition, I don’t know what is; the creators are mash-up of pop-culture mythology.
